FORMATTING YOUR SPEC SCRIPT WHILE SOCIAL DISTANCING: A PRIMER - PART 5

Have we really been at home for five weeks!? Well, as long as we’re here, let’s go over some formatting for some popular shows.

In case you don’t know the drill: While fellowship season corresponds with quarantine season, we’re breaking down formatting of library scripts to help get you the info you need for writing your spec. If we haven’t covered the show you’re spec-ing, or if you have additional, more targeted questions, please send us an e-mail at library@wgfoundation.org

We can’t send you scripts in their entirety. We aren’t the copyright holders and we don’t have the right to distribute them beyond the physical library. We can, however, pour through the scripts and try to find you the information you need. Also, where possible, we’ll try to link to where award-nominated scripts and early drafts of pilots are available online.

MOM (CBS)

 Average page count: 39

Average scene count: 6-14

Broken into acts? Yes, 2 acts; episodes also include a cold open at the beginning and a tag at the end.

Other things to consider:

  •  Act headings are written out like "ACT THREE" and scenes are listed alphabetically with letters like "SCENE A" or "SCENE F." Notice how far down scene headings are on the page. Transitioning from scene to scene, they almost always CUT TO: or FADE TO: on the right side of the page. Acts are about 15-20 pages; cold opens are 4-6 pages; tags are 2 pages.

Mom scene transition.png
  • Formatting the Cold open: COLD OPEN is centered, underlined at the beginning of the page. At the end of the cold open, CUT TO: or SMASH TO: (or some other transition like that) is seen on the right-hand side of the page, then MAIN TITLES centered and underlined. Formatting the tag is very similar. Tags end with "END OF SHOW" centered and underlined. 

Mom cold open .png
  • Because it's a multi-cam show, all of the dialogue is double-spaced, all of the description is in CAPITAL LETTERS and every time you change a location just make sure all the characters in the scene are listed (in parentheses). 

  • Note that all scene headings are underlined.


RAMY (Hulu)

**Note we only have 1 script from Ramy in the library; episode 1-4 “Strawberries” so formatting tips are based on this one script.

Page count: 30

Scene count: 21

Broken into acts? No

Other things to consider:

  • Scene headings are underlined and in bold.

Ramy description.png
  • Description is written simply and sparsely, but paragraphs will occasionally go over four lines.

  • The thing to note about Ramy is how it tackles difficult personal subjects — like dealing with Islamophobia in post-9/11 New Jersey — with heart and humor. So many sweet friendship and family moments.

  • Also, note how the writers format a chat room discussion.

Ramy chatroom.png

An early draft of the Ramy pilot is available online here.


RIVERDALE (The CW)

Average page count: 51

Average scene count: 50

Broken into acts? Yes, 6.

Other things to consider:

  • The first and second acts are a bit longer — 11-12 pages in length. Acts 4 through 5 are usually 6-9 pages.

  • Act breaks are formatted in the standard centered, underlined and in bold, with ACT ONE at the top of the page, then when the act is over, END OF ACT ONE centered, bolded and underlined.

Riverdale act one.png
  • The show is full of intrigue, mystery and non-stop twists and turns, emphasized with dramatic act outs, during which the last line of text is often written in italics for emphasis.

Riverdale act out.png
  • The show also features witty dialogue that references pop-culture, past and present.  



THE TWILIGHT ZONE (CBS All-Access)

**Like Ramy, we only have one script from The Twilight Zone, episode 1-3 “Replay” so formatting assumptions are going off of this one script.

Page count: 54

Scene count: 40

Broken into acts? Yes, 4. Plus a teaser.

Other things to consider:

  • Basically, new acts begin with ACT TWO (or whatever act it is) centered, bolded and underlined, then when the act is over, it's END OF ACT TWO also centered, bolded and underlined. The teaser in this particular script is 8 pages and begins TEASER then ends with END OF TEASER.

Twilight Zone teaser.png
  • The script ends with the scene transition SMASH TO BLACK, then END OF EPISODE.

  • The script includes camera directions and CAPITALIZATION of significant action and moments.

  • Here’s a look at Jordan Peele’s “Narrator” character and how he is included in the script/story.

Twilight zone narrator.png

WESTWORLD (HBO)

In the library we have the pilot script for Westworld and the script for episode 1-10, “The Bicameral Mind.”

Average page count: 51

Average scene count: 85

Broken into acts? No

Other things to consider:

  • Note that flashbacks are written in italics.

Westworld flashback.png
  • Sometimes there can be longer blocks of description, given the visual nature of the show.

  • Significant sounds, feelings, props are often CAPITALIZED.

Westworld sample.png
  • Advice from library patrons who have written a spec of Westworld: The show has a rich world, and the writing is complex. Avoid filling in obvious plot holes, lean in emotionally, and do a backstory for your episode.









The Lone Arranger: Meet Jean Rouverol Butler

WGF Archivist Hilary Swett takes you inside the Archives.

One of the most professionally satisfying aspects of being an archivist is that I get to meet so many fascinating and accomplished people. Even if I don’t meet them in person, I get to know them though their work when they (or their family) donate to our library and archive. The WGF Archive is home to hundreds of collections donated over the years by writers or their families and these collections teach us so much about the writers behind the words.

When I “process” a collection, I organize script and project files, read business and personal letters, and summarize all of the unique material. I spend a long time with that one person and I recently had the pleasure of getting to know Jean Rouverol Butler. Her family donated her papers to the WGF in 2018 and the work on her collection is now finished. Jean and her husband Hugo were screenwriters who were backlisted in the 1950s. These papers are a reminder of that dark time in American history and show how a family perseveres in the face of adversity.

Watch: Pitch Prep Strategies Zoom Panel

On April 9, we sat down with writers and producers Chris Brancato (Godfather of Harlem, Narcos) and Dan Futterman (The Looming Tower, Foxcatcher) to talk pitching, focusing on strategies for organizing and preparing for pitches. They also shared pitches for their own projects and how to constructively incorporate feedback. Watch above or click below for the audio-only version!

NOTE: Due to an unstable connection during our panel, Dan Futterman’s audio and video is choppy throughout. We apologize for the technical glitches.

FORMATTING YOUR SPEC SCRIPT WHILE SOCIAL DISTANCING: A PRIMER - PART 4

Well, here we are! It’s week 4 of our ongoing series to help you format your spec script. As long as fellowship season coincides with quarantine season, we’ll be here posting weekly examples of how several popular shows approach script format. 

We plan to cover as many shows as possible. If we haven’t covered the show you’re spec-ing, or if you have additional, more targeted questions, please send us an e-mail at library@wgfoundation.org

We can’t send you scripts in their entirety. We aren’t the copyright holders and we don’t have the right to distribute them beyond the physical library. We can, however, pour through the scripts and try to find you the information you need. Also, where possible, we’ll try to link to where award-nominated scripts and early drafts of pilots are available online.

ARROW (The CW)

Average page count: about 50

Average scene count: can range from 37 to 48

Broken into acts? Yes, 6. 

Other things to consider: 

  • Act breaks are formatted like ACT ONE underlined and centered; END OF ACT ONE also underlined and centered. 

  • Act six / the last page ends with "END OF ACT ONE" underlined and centered. 

  • The average act is about 6-10 pages. 

  • Scene headings aren't formatted in any special way

  • Flashbacks are presented in italics

Arrow flashback.png

  • Here’s a small example of a fight/action sequence:

Arrow action sequence.png

Read an early draft of the Arrow pilot here.

BETTER THINGS (FX)

Average page count: Somewhere in the 25-32 range (sometimes shorter, e.g. 22 pages)

Average scene count: 20-30

Broken into acts?  No.

Other things to consider:

  • There’s very little description. The scripts are almost poetic in their simplicity. 

  • Practically all of the scripts begin and end differently from one another. 

Better things end.png
  • See how Alice Cooper lyrics are literally written into the season 1 finale:

Better Things Alice Cooper.png

BROOKLYN NINE-NINE (NBC)

Average page count: 35

Average scene count: 29-40

Broken into acts? Yes, 4 (and 1 cold open)

Other things to consider:

  • Every script begins with a 1-2 page cold open. This is formatted with "COLD OPEN" centered, bolded and underlined. When it's over, "END OF COLD OPEN" centered, bolded and underlined.

Brooklyn Nine-Nine Cold Open.png
  • Each of the four acts is formatted in much the same way. "ACT ONE" centered, bolded and underlined, then "END OF ACT ONE" centered, bolded and underlined. The exception is Act Four. When act four ends, on the last page of the script, we see "END OF SHOW" centered, bolded and underlined.

Brooklyn Nine-Nine episode end.png

  • Scene headings are underlined

  • Remember: keep it sweet with the jokes!

Read an early draft of the Brooklyn Nine-Nine pilot here.

HOMECOMING (Amazon)

Average page count: 30-ish

Average scene count: 15-20

Broken into acts? No

Other things to note:

  • Scene headings are in BOLD

  • There are usually very few scenes because it's a lot of dialogue and lots of two person scenes. 

  • There’s also typically minimal description on the page

Homecoming page of dialogue.png
  • There's no specific teaser, but after the first scene or two, the writers specify "MAIN TITLES" in bold and in the center of the page.

Homecoming page one main titles.png

Read an early draft of the Homecoming pilot here.

INSECURE (HBO)

Average page count: 34

Average scene count: 35

Broken into acts?  No

Other things to consider:

  • Scene headings are underlined.

  • A familiarity with both the frustration and wonder of living in LA are a plus.

Insecure #1.png
  • The show features lots of razor-sharp dialogue and a cynical, but very fun tone

  • Episodes end with END OF EPISODE underlined, bolded and centered.

Insecure #2.png

POSE (FX)

Average Page Count: 45 or so

Average # of scenes: 31-45

Broken into acts? Yes, 4 (The first act is the longest, around 13-18 pages; the rest are between 7-12 pages)

Other things to consider:

  • Each new act is specified "ACT TWO" (or whatever act it is) centered at the top of the page, bolded and underline. When an act ends, it's "END ACT TWO" centered, bolded and underlined. The only act that does not have an act heading is Act One... the script just starts, much like a feature screenplay (but it ends END ACT ONE). 

  • The end of the fourth act, which is the end of the episode ends "END OF EPISODE

Pose act break sample.png
  • The scripts are incredibly dialogue-driven. The characters tell a lot of stories, almost like theatre. When you look at the page, there's big paragraphs of dialogue and minimal description. 

  • Every bit of text is warm and compassionate -- and the episodes really focus on Blanca as the hero and as a mother. 

Pose episode opening.png

FIN. See you next time!

Watch: Writing in the Age of Streaming Zoom Panel

On April 1, we sat down with writers and showrunners Marta Kauffman (Grace and Frankie, Friends) and Veena Sud (The Stranger, The Killing) for a discussion on developing shows for streaming services, how new technology has impacted storytelling, and what essential skills are good to develop for writers and producers. Watch above or listen to an audio-only version below!